Schools of Yakshagana: Badagu Tittu, Tenku Tittu, and Prasanga
Yakshagana, the vibrant folk theatre of Karnataka, has evolved into distinct schools of performance shaped by regional influences. The coastal belt stretching from Goa to Malabar is divided into two major traditions: Badagu Tittu (Northern style) and Tenku Tittu (Southern style). Alongside these, the indoor form known as Prasanga or Tola Maddale also plays a vital role in sustaining the art during monsoon months. Badagu Tittu and Tenku Tittu The Town of Udupi serves as the dividing line between the two schools. Though both share the same purpose of narrating mythological tales through music, dance, and drama, they differ in technique and emphasis. Music and Instruments: In Badagu Tittu, the Bhagavata (lead singer) uses a pair of cymbals (tala), while in Tenku Tittu, he employs the gong (Jugate Kolu). The Mridanga of the northern style is longer and narrower, producing sharp, high-pitched notes. In contrast, the southern Mridanga has a wider ...